MAIN AND DEVELOPMENT ESTIMATES OF SINGAPORE FOR THE - FINANCIAL YEAR 1ST APRIL, 1976 TO 31ST MARCH, 1977
Mr Speaker, Sir, this is again another debate on cultural affairs and, as usual, the complaint is on the amount of money to be spent on Culture. I must thank Members for showing concern in this subject and their support for more funds. I must point out to Members that cultural development and cultural activities in any society always come after other priorities. It is only after the society is reasonably secure and properly educated with reasonable prospects for economic advancement that the society has the time and also the money for cultural activities. Nevertheless, we have been able to do a lot of things which we think are good for the development of culture within the very small budget that we are allocated. I have pointed out time and again that cultural matters cannot be quantified. It does not mean that the more you squander on it the better the culture you will get. I agree with the Member for Jalan Kayu that a lot more effort has to be put in. I also agree with his remarks that a society cannot be measured by economic growth. So the cultural development of a society cannot also be measured by the amount of money spent on it. What is the cultural policy? I am told there is a lack of this cultural policy. But is this not better than pronouncing an abstract policy which we can never fulfil because of lack of funds and manpower? Would it not be more realistic to build on what we have? I am not saying that we do not have a cultural policy. We have, but as with things cultural, it is imperceptible. What do we know about culture? What can we say about culture? What is culture? It is all over us. It is like air and water which we can never get out of it. It is all around us. So a good cultural policy must have a realistic footing and then build on it what we already have. But what do we have? We have an island of two million people, the majority of whom have brought their own customs and cultures from China, India, Malaysia and Indonesia, and an increasing number are under the influence of Western culture. In these circumstances, it is obvious that our first target, if we do have a cultural policy, is to preserve what we have - the good virtues which are traditionally handed down from generation to generation. Then we go on by trying to make everyone understand how the others live or think, so that a sense of tolerance and racial harmony can prevail and with a respect for the other's virtues, thinking and way of life. This brings me to the point which the Member for Katong has termed "cross-fertilisation" among the people from the different cultural streams. I think there is no lack of cross-fertilisation in our society. What the Broadcasting Department and the Ministry of Culture are doing is to emphasise such intermingling of different races from the many cultural streams. There is no escape from this kind of intermingling in our society. Whether a person likes it or not, he is exposed to the different pulls. A Chinese may not want to know what the Malays do in a wedding or in their prayers, but if his neighbour is a Malay who is holding a wedding function, there is no escape for him. Whether or not he is curious, he is exposed to this going-on in his environment. In this respect, I think there is no hindrance to the free flow of cultural exchange. What we are doing in the Ministry of Culture is to help give this an emphasis. This is reflected in the TV programmes and the Radio talks and the many other things which are undertaken by the various organisations under the Ministry of Culture. For instance, the National Library, through its branch libraries, organises film shows, lectures and demonstrations on such subjects as Indian dance. Chinese painting and Malay music, in the four languages. There are also explanations of Indian music on Radio in English and in other languages. I am not saying that this is going to be a determining factor in promoting this intermingling or in breaking down cultural barriers, but this has been the policy of the Ministry. This is reflected in all the organisations under it and in the production of programmes on TV and Radio. I must say that so far this has been successful and we intend to carry on this kind of development. I am sure that in time to come and with more effort being put in by the various people, this intermingling of different cultures will emerge. The Member for Sembawang has asked me four questions. First, what are we going to do about promoting a sense of national consciousness or reminding the citizens of their responsibilities? What are we going to do to heighten their national pride? I would say that this is not only the duty of the Ministry of Culture but, in fact, it is the duty of everyone in this society to help promote this national pride and a sense of national consciousness. Of course, the exhibitions, talks and speeches that Members of Parliament give in the various community centres and functions will help. But I think we must also be warned that we should not be naive and deceive ourselves that by blaring into people's ears we would be able to create good citizens out of them. 3.30 p.m. To have national pride and to make people realise their responsibilities, we must have discipline. We must impose discipline if something is to be done. Although publishing speeches will make things easier, laws and other firmer measures are required. For instance, it is very easy to expect people to behave well in public and to observe cleanliness and so on. But I doubt very much if without any penalties and fines laid down in the laws anyone of us here would pay our tax willingly without any grudge. Without any penalties to follow up, people would not observe the rules of cleanliness in public. I would be exaggerating the power of my Ministry if I say that we can actually make people change their attitude overnight without firm measures to back us up. If they want sugar coating, we can give it to them, but it is the medicine that we want them to take, As the Chinese saying goes, "Good medicine is bitter to the mouth." On the question of reducing rentals for use of the National Theatre and the Victoria Theatre, I am afraid that although there are concession rates for amateur performances, we cannot give concessions in most cases since the organisations are performing many different types of variety shows, some of which are profit-making and some are not, In this respect, it is difficult to give everyone a concession rate for use of the National Theatre and the Victoria Theatre. In the case of concession of entertainment duty for cultural performances. I must say that there is no concession rate whatsoever. But there is provision for the waiver of entertainment duty in respect of shows which are of cultural and educational nature. If the shows are for charitable purposes, the Customs and Excise Department would also consider waiving such duties. But every case will be considered on its own merit and the Ministry of Finance will decide whether or not entertainment duty can be waived. The Member for Anson has complained that we have not used the four languages in some of our signboards, posters, circulars and so on. He has also pointed out that there has been some discrimination. He should never forget that there is no discrimination of language. This is the last thing we will have. It is never our intention at all to discriminate our citizens whether it be language, culture or education. The signboards, circulars and periodicals are not produced by my Ministry alone but by the various Ministries. I do not want to speak for the other Ministries. But I can venture a guess. It may well be that they have adopted this for the sake of simplicity and convenience. But whatever they do, it is not done to discriminate against any community in our society. The purpose of distributing pamphlets or putting up signboards is to make people understand clearly about certain things. They may want to show people certain places. It is to explain what that place is. If they can achieve their purpose in a very simple manner, then they would do it. I do not want to speak for the other Ministries, but this is what. I think, is going on. As I have already explained, evolving a Singapore culture is time-consuming and a very slow process. But while Singapore culture is a faceless one and still an unknown factor, it would be a pity to throw away the various dances, music and the colourful costumes of the dances of our different races. In our production of cultural programmes, whether on TV or through a presentation of dances by the cultural dance troupe, we have always been mindful of the need to project the multi-lingual and multi-cultural aspects of our society. Whether it is the People's Association Dance Troupe or the National Theatre Dance Troupe, this emphasis is always there. The Member for Jalan Kayu has mentioned that at present there is a need for an art gallery. He has suggested that a National Academy of Arts and Music should be formed. In this respect, I must inform him that the art gallery at the National Museum, for which the Art Council has contributed funds, is almost completed. We are putting the finishing touches to it. On the question of establishing a National Academy of Arts and Music, I must say that this is a tremendous task. Based on the size of our population, the amount of talent that we can tap, the job opportunities for the graduates, and so on, this may not be feasible. I quite agree with the Member that artists and writers seldom appear on our National Day Honours list. However, if they are artists of exceptional skill and reputation, they will be given due recognition. As a matter of fact, the Ministry of Culture is contemplating to introduce a system of awards to encourage people who have been active in the field of art and culture. As regards street wayangs, we have never tried to ban them. Our policy is to improve the performances of street wayangs so that they will have a better content in their performances. Although I am a lover of the Cantonese opera, I do not dislike other forms of operas. I think what has prompted the Member to say that we have banned street wayangs is that over the past year we have reduced the number of sites for performances of these wayangs. But this was done not to ban or eliminate these operas or wayangs but to prevent noise pollution as well as to ease traffic congestion. As Members know, urban renewal projects are going on in our city and many old streets have disappeared from the street map. The sites, of course, will also disappear. It is rather difficult for the wayang sites to be located in the new housing estates. Hence, the difficulty of getting sites for wayangs in the new environment. Moreover, the residents of the new housing estates may also not like them. They create problems of health and noise pollution. Mr Speaker, Sir, this is what I can reply at the present moment.