MAIN AND DEVELOPMENT ESTIMATES OF SINGAPORE FOR THE - FINANCIAL YEAR 1ST APRIL, 1974 TO 31ST MARCH, 1975
Mr Speaker, Sir, before answering the Member for Kampung Kembangan and other Members who have suggested that the Government delay the introduction of colour TV in view of the present inflation and high prices which may cause a social burden to our people, let me answer the question by the Member for Sembawang first, as the Deputy Speaker had ruled yesterday that the Member's question could be answered together with the others in respect of subhead CA 1107, for which there is an amendment. The Member for Sembawang had asked my Minister yesterday when colour TV would be ready. And before I could give an answer, some Members had also, in fact, dwelt on the subject. Television Singapore will be radiating colour TV Trade and Test Transmissions consisting of Test Pattern, slides and films as from 2nd May, 1974. These transmissions will be radiated on: Channel 5: Weekdays from 10 a.m, to 12 noon and 2 p.m, to 3 p.m. Saturdays from 10 a.m, to 12 noon. Channel 8: Weekdays in between ETV programme slots (Test Pattern only) Saturdays, Sundays and Public Holidays from 2 p.m, to 3 p.m. A pilot colour TV service will be inaugurated in August, 1974. Film programmes from overseas and local documentary films will be scheduled for telecast on both channels during normal transmission hours. The number of such programmes in colour will be limited to a duration of one to two hours a day. Equipment orders for studio and outside broadcast productions have already been placed, and an extension to the pilot service will be effected when these equipment are delivered and installed. Now, Mr Speaker, Sir, coming back to the suggestion by the Member for Kampung Kembangan and also other Members that Government delay the introduction of colour TV, which Members have also expressed concern, may I be allowed, Sir, to inform Members that we cannot accede to their request because, as Members will recollect, in January, 1972, Government approved the introduction of colour TV. The whole project costs over $20 million over a period of four years. This House has accordingly voted $2.9 million last year for the project. Since then, a number of tenders have been called for the purchase of equipment. Our present black and white television service was inaugurated in February, 1963. This means that most of the equipment at our TV station is over 10 years old, and is due for replacement due to usage and fair wear and tear It would, therefore, be economically sound at this stage when replacing the equipment to introduce colour television. Moreover, if we were to defer this project, Singapore will be amongst the last of the South-east Asian countries to further develop its television service. Thailand and the Philippines introduced colour television a couple of years ago. 3.15 p.m. If we were to abandon the project at this juncture, it would also mean that we would not be able to fully utilise some of the equipment which we ordered and which was delivered before the energy crisis. In this respect, I would like to thank the Members for Kim Seng, Bras Basah and Moulmein who have expressed their support on the introduction of colour TV. We do not know when the energy crisis will be over, although the Arab countries have already lifted the oil embargo to the United States. And if we were to introduce colour TV three or four years later, then we may have to pay a very much higher price. By that time the cost of equipment would have gone up and we would have to pay more for what we are getting now. When we introduce colour TV later this year, we will telecast only overseas film programmes and some local documentary films in colour for about one to two hours daily. Local studio and outside broadcast productions in colour will he telecast next year when the necessary equipment have been delivered and installed. The plan, in other words, is to "inject" colour programmes into the normal service on Channels 5 and 8 in planned stages. This is because the technical facilities both at our TV Studio Centre and Transmitting Station are required for use daily whilst new colour equipment is being installed. TV viewers would still be able to watch colour programmes on their black and white receivers though the pictures will be in black and white. They, therefore, need not involve themselves in extra expenditure in obtaining colour sets. It is also my Ministry's intention to advise the People's Association to install colour TV sets in the community centres so that the public at large can, if they wish, view colour programmes in colour. I come now to the question raised by the Member for Anson. He says that the broadcasting programme is poor and also that too much emphasis has been placed on paper qualification and not on talent. A minimum standard of educational qualification has to be set in any recruitment exercise. In the case of announcers, the minimum qualification is a School Certificate or its equivalent. An announcer does not only announce. His other duties include the writing of announcements for music programmes and compiling of records or of programmes produced in our studios. He also has to draft the programme summaries at least twice in a day's transmission. He is called upon to draft emergency announcements as well. Depending on his versatility, an announcer also interviews, reads the news and comperes variety shows. Versatility, it might be stated here, is a very necessary quality in RTS. In any recruitment exercise for announcers, a voice test is set for all who have applied and who have the minimum paper qualification. The voice test consists of reading simple announcements for music programmes, public service announcements, commercials and a short news bulletin. Language fluency and proficiency are essentials for the passing of the voice test. Only those who pass the voice test are invited to sit for a written test. The written test consists of questions on basic general knowledge, current affairs, art and culture, and the drafting of simple announcements in view of the duties of announcers which I have just outlined. Persons with the potentialities of a good announcer are not easy to find. For instance, in the last recruitment exercise held in April last year for the English and the Chinese streams, the number of applicants was 278 for English and 479 for Chinese. Only five applicants from the 278 and three from the 479 were found to be suitable. Out of the five for the English stream, only two eventually joined RTS. As regards the standard of locally-produced programmes, it depends not only on the calibre of producers but also on the budget allowed for a production and on the talents that one can be found for production. Within these limitations, RTS producers have to do their best by way of presentation and production. All producers who join RTS are given in-service training. Until recently RTS had two BBC consultants to train its staff, one for radio and another for TV programmes. Their services were made possible through the Colombo Plan Technical Assistance Scheme. Training has always been in-service or on-the-job and the trainers are senior staff members who have to perform many other duties as well. Within these limitations, however, RTS does its best to provide training opportunities for its staff. The Member also raised the question on the payment of fees to artistes. The very fact that an artiste has, first of all, to be auditioned and to turn up for at least one rehearsal in the studio, apart from a pre-recording session in the case of some variety shows and finally to be present for recording the programme, is an indication that RTS producers do their best to be professional in their productions. Any station in the world which sets a high standard for itself regards these tests as a necessary part of production and not a fuss. If the fee is deemed miserable, it is another issue. RTS can only pay the fee that is stipulated in an approved schedule of fees and can only spend within the budget that it is given. It is a fact that very often it has to make the coat smaller than it need be because of the size of the cloth. Talents of a high standard are still relatively limited in number in Singapore, but no one is barred from any audition. Even when there are no such contests as talentime, RTS welcomes anyone who feels he has some talent, in terms of contributing to its programmes, to write in for an audition whether it be for variety shows, dramas, comic sketches, magazine items, etc. The Member also mentioned that most of the radio programmes are imported ones. To say that most of the programmes being broadcast on radio are imported is not true. The overwhelming majority are in fact produced by our own staff locally. These comprise magazine programmes of various types for youths, workers, women, sports and musical programmes of every description. Feature programmes are also produced locally. It is true, however, that the plays broadcast in the English service are mainly BBC-produced because they have proved to be among the best available. RTS has attempted to produce local plays in English but they have not proved successful. Two drama writing competitions have been held but a good number of the scripts of plays received had stories similar to those already seen on TV. English-speaking stage groups are very few in number and when they stage plays, these are overwhelmingly plays and not locally written. The Member for Anson also raised a question on the use of the word "million" by Tamil announcers. The use of the word "million" was adopted in January 1972 after consultation with the Ministry of Education's Research and Statistics Division. The Tamil phrase for "one million" previously used was pathu lak sham. This is, however, not easily comprehended by the younger generation as in the Tamil schools in Singapore, where the word "million" is now extensively used.