ESTIMATES OF EXPENDITURE - FOR FINANCIAL YEAR 1ST APRIL, - 1970, TO 31ST MARCH, 1971
Mr Speaker, I really do not know how much time I have, but I shall attempt to answer all the queries raised by Members. As far as criticisms on the Broadcasting Department are concerned, I have given the general policy of the Department on the proposed reconstruction and organisation of the programmes. I shall reserve the other details later if I have the time. 4.45 p.m. Mr Speaker, Sir, the Member for Crawford seems not to understand what the Ministry of Culture has done for the past ten years to promote culture. He must appreciate that we became an independent country only a few years ago. Prior to that, we had self-government status, and did not have absolute political power. If you want to promote culture, you have to achieve political freedom first. Without political freedom you will not be able to develop your culture. That is why in the past we often accused the colonial power of suppressing our culture during our struggle for political freedom. I think this fact will refute the Member for Crawford's allegation that for the past ten years we have been too absorbed in the political struggle and have neglected the cutural development of our nation. Now that we have acquired our political power, that is, we are a people of our own, we can promote our own culture. In this respect, Mr Speaker, Sir, may I say that we are a migrant society. Therefore, we have first to create a sense of belonging among those of our people who are citizens of this country. Then we have to try to promote and develop a culture of our own. So I fail to understand the allegation from the Member for Crawford that in the past ten years we have not achieved anything in this respect. Culture is not something which you can develop overnight. It takes years. Further, it cannot be done on instructions or orders or policy directives from the Government. Everyone in the country has to co-operate, to work and to dedicate himself to the cause. Therefore it takes time. Both the Members for Crawford and Sembawang raised the question of cultural awards. I consider this a very good idea. Although Singapore is an independent country, there is a relative dearth of creative cultural works in music, dance and literature. Before we can consider any plans to award prizes, we should endeavour earnestly to stimulate the growth of cultural works in various areas. Members will appreciate that there are difficulties in the immediate implementation of a system of cultural awards. For instance, there may be a few outstanding persons in some of the fields, and it would appear that they would merit awards, when, in point of fact, they have very little or no competition to face. When more individuals come forward with high standards, then the outstanding ones will be forced to improve their standard, and this will make for a raising of standards as a whole. Then there will be competition and any awards will be meaningful. Then again, in some fields, the standard, as the persons themselves, I think, will readily admit, has much room for improvement. Members will appreciate that to give an award to the best candidate among many mediocre entries will not be a very appropriate token. Thirdly, such awards must be properly organised and the inherent difficulties of the scheme must be carefully worked out. For instance, it must be clearly defined what standards ought to be set for each area of culture, who may qualify for such awards, distinguishing the professionals from the amateurs, and the extent, the value and The status of such awards. On balance, therefore, I am of the opinion that there should firstly, be general encouragement from the public and organisations, and funds to improve the general standards and, secondly, when the standards have generally improved, appropriate schemes can be worked out. I would like to illustrate, by way of example, what happened when the National Library in 1968 organised on behalf of U.N.E.S.C.O. a national contest for award of a prize to the author of the best manuscript written in any of the four official languages in Singapore on a cultural, literary or popular science topic most suitable for new reading audiences and/or children and juveniles. A sum not exceeding $1,525, representing one prize, was to be awarded to the prize-winning author. The response to the contest was surprisingly poor. Only a total of 15 manuscripts were received - two Malay, five Chinese and eight English. As none of the entries was of sufficient merit, no award was received by any of the contestants. I appreciate that the object in raising this matter is probably that cultural awards would stimulate the growth of cultural pursuits. However, from the example of the U.N.E.S.C.O. competition, which I have just illustrated, it will be seen that we will be putting the cart before the horse if, at this juncture, we decide to give cultural awards before standards are improved. The immediate problem, as I see it, is one of generating the necessary stimuli to our cultural efforts. There are, however, certain drawbacks. For example, a person may have a flair for writing or composing music, but he is precluded by economic realities from pursuing his preference. It is not surprising, therefore, that those who would otherwise be able to contribute to the enrichment of cultural activities find refuge in some other more remunerative employment. One way of overcoming this difficulty would be for those interested in different areas of culture to organise themselves into working groups or associations with the object of co-ordinating their activities and improving standards. The Ministry will, as far as possible, assist them in setting up such an association. Let us take the case of writers who unfortunately have not been able to come together because of factionalism and unprincipled vituperation. If they avoided this, they could create an atmosphere conducive to the development of literary work, and mass media like newspapers, television and radio could be utilised to publicise their vvorks. Ways and means can also be found to stimulate reading habits among our people. Wherever possible, educational institutions could be encouraged to use suitable works as reading material for students. Mr Speaker, Sir, all the assistance in the world will not help if the local people do not dedicate themselves to the development of cultural pursuits in different areas. If this is done, then Singapore could, with the co-operation of all concerned, enhance her cultural prestige. What I am trying to put across is not that we do not want to encourage culture. We want to encourage and build our own culture. Here I must say once again that this is not the job of the Government alone, but is the work of everyone, especially the artistes, the writers and those who are involved in cultural work. Apart from these people who are directly concerned with cultural work, others could also help in the development of culture. Take the Member for Crawford, for instance. If he is really sincere in wanting to assist in the development of our culture, he could, in his capacity as adviser to his community centre, the Citizens' Consultative Committee and other committees, assist cultural development in a practical way. For instance, we have encouraged many local talents, such as Mr Lee Kum Sing, a well-known pianist, to put up shows and recitals. When Mr Lee Kum Sing is performing abroad, he is very well received. People have to pay exorbitantly to hear his recitals. However, when he comes back here and, with our encouragement, stages a recital at very cheap admission fees so that the people are given an opportunity to appreciate his music, the attendance, much to my disappointment, is very poor. This is where the Member for Crawford, as an advocate of the promotion of culture, can help, if he has any function in his community centre, either in commemoration of an anniversary or other ceremonies, I would suggest to him that, instead of wasting his time and money on organising dinners and variety shows, he could hold, say, exhibitions of paintings and stage serious music performances and the like. This would be a direct contribution to the development of our culture, because the fact is that - Mr Low Yong Nguan rose -